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CONOPAS
INCA CULTURE
PERU
2,400 B.C. TO 1,500 B.C.
PAGE 1 OF 2 PAGES

ALPACA FIGURE CONOPA
INCA CULTURE
NEAR CUZCO, PERU
PRIVATE COLLECTION

   This picture shows a close-up of a regal looking head of an alpaca conopa. The mane is deeply carved down along the neck. The hair on alpacas, like this example, also covers the eyes.

    Conopas are considered devotional objects or amulets that are believed to have the ability to bring good luck and prosperity. They are charged with protecting the house and even increasing the herds of the animals they represent. They are kept in houses and sometimes buried in fields. The holes in their backs are called a "qocha" (lagoon) and are the containers for offerings during the ceremony called "haywarisqa" (ceremony of offerings). Wine or other alcohol is poured in plus coca leaves mixed with llama fat called "untu" (tallow).

Conopa back cavity containing llama fat.
CONOPA SHOWING BACK CAVITY
INCA CULTURE
NEAR CUZCO, PERU
PRIVATE COLLECTION

   The above picture shows a typical cavity that is carved into the backs of alpaca and llama conopas. The hole is not straight sided but slightly rounded inside, some much more than others. During the "ceremony of offerings" these small animal figures are used as containers to hold ritual offerings of alcohol, llama fat and coca leaves.

  Conopas were carved into many different styles. They can have long or short necks, eyes that bulge out or drilled, manes with three or more stepped layers down the neck and they come in a wide range of sizes. They're carved from fined grained stone of good quality & any color and the artistic quality is very fine. Conopas were made by roughly pecking out the shape of the animal with a hammer stone, then polishing the surface with sand and water.


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ALPACA FIGURE CONOPA
INCA CULTURE
NEAR CUZCO, PERU
PRIVATE COLLECTION

   This heavily patinated alpaca figure conopa is believed to be a later style. It was made before European contact and appears to have laid in the ground for a number of years. This conopa was carved in a way that enhanced or highlighted the head area with the white color of the stone. This additional artistic detail makes the carving all the more aesthetically satisfying (the craftsman has good taste). This example measures 2 1/2 inches (6.3 cm) high and it does have llama fat in the cavity on its back.

    Conopas in the form of alpacas and llamas are still being made today in Peru. But the earliest examples were made long before the Spanish arrived. It's a tradition that has continued for many centuries. But there was a time when owning a conopa was dangerous. Next to gold the chief interest of the Spaniards was in Christianizing the Indians.


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ALPACA FIGURE CONOPA
INCA CULTURE
NEAR CUZCO, PERU
PRIVATE COLLECTION

   These "royal" alpaca conopas appear regal in their appearance. They have long manes that fall in stepped layers down their necks. This one has three layers but some have four or more. They also have bangs of hair that cover the eyes. This one is made of a dark black fine grained stone that was commonly used to make conopas. It measures 2 7/8 inches (6.6 cm) long and it contains llama fat in the cavity on its back.

   Early in the 17th century (1600's) the Church began an ambitious campaign to stop idolatry and force the people into the Catholic religion. Native priests and sorcerers were arrested and isolated from their communities and the Catholic priests destroyed all the ceremonial sites, idols, and associated ritual instruments they could find. In 1607-1615 Viceroy Montesclaros burned 600 idols in the public square in Lima. An "Indian idolater" named Hernando Paucar was publicly flogged in the presence of the Viceroy. In 1617-1618 there were systematic witch-hunts by the priests. In the district of Chancay 679 "sorcerers" were discovered and 6,000 people confessed to idolatry. There were 3,418 conopas confiscated in the 31 settlements in the Archbishopric of Lima alone.


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ALPACA FIGURE CONOPA
INCA CULTURE
NEAR CUZCO, PERU
PRIVATE COLLECTION

   This very regal looking alpaca conopa has four stepped layers falling down its neck to form an impressive mane. It's made of  a black fine grained stone that seems to have been commonly used to make conopas. This one measures 3 1/2 inches (8.9 cm) long and it has llama fat inside the cavity on its back.

  By 1626 the clergy began to realize that little or nothing was being achieved. An archepiscopal report expressed horror that there was probably not one Indian that did not engage in idolatry and the fault was blamed on the small numbers of clergy in Peru. By 1650 the ambitious campaign to stop the native population from practicing their traditional ceremonial customs entered a class of harmless superstitions. The Church became much more tolerant of conopas and other associated ceremonial materials and the old ways.


ALPACA FIGURE CONOPA
INCA CULTURE
NEAR CUZCO, PERU
PRIVATE COLLECTION

   This alpaca figure conopa is heavily encrusted with a patina and appears to have laid in the ground for several years. It has three stepped layers down its neck that forms an impressive looking mane and it has llama fat inside its cavity on the back. This conopa looks like it has had a lot of use. This one measures 2 1/2 inches (6.3 cm) high.

   There are many ancient artifacts similar to conopas that must have been very important to the people that used them long ago. But their purpose has become irretrievably lost. Artifacts would have a lot to say if they could talk. Conopas are unique because the people who make them are still alive today and their meaning has not been lost to history.

"REFERENCES"

1946, "Handbook of South American Indians", "Vol. 2 The Andean Civilizations"  by Julian H. Steward, Editor,
           pp. 248, 400-402, 509, 520-521.
1964, "Pre-Columbian Cities", by Jorge E. Hardoy, pp. 400-404.
1988, "The World Atlas of Archaeology", p. 361.
1996, "The Oxford Companion To Archaeology", by Brian M. Fagan, pp. 340-346.

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