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MARVIN McCORMICK
"THE MAN WHO REINVENTED FOLSOM"
1929-1970's
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COPYRIGHT MARCH 31, 2012 PETER A. BOSTROM
Fluted points made by Marvin McCormick.
MARVIN McCORMICK FLUTED POINTS

Abstract image of Marvin Macormick's Folsom points.

ABSTRACT
MARVIN McCORMICK

THE MAN WHO REINVENTED FOLSOM
1929--1970's

   This article illustrates and describes several examples of points that were made by Marvin McCormick and purchased from him by Charley Shewey in the early 1960's. Charley Shewey was a fighter pilot in WWII and an airline pilot for TWA in later years. But more importantly, as he relates to this article, we was also a flintknapper, collector and a friend of Marvin McCormick. Much of what we know about Mr. McCormick comes from people like Charley who knew him. Most early knappers kept a fairly low profile. Charley told this author once that Reinhart, the "gray ghost" maker, met him at the door with a shotgun when he first tried to make contact with him.  Mr. McCormick was one of the early modern flintknappers who produced modern points in large numbers. He is most famous for his ability to make and flute Folsom points. In fact, he may have been the first modern knapper to make a Folsom point.

     "McCormick was not only one of the first to successfully flute points, but also one of the first to use heat treatment."-------2004, John C. Whittaker, "American Flintknappers," p. 49.
    "He (
Marvin McCormick) told me (Charley Shewey) he was taught to knap when he was eight years old and he made 14 (points) a day, 5 days a week."--------1998, Dave Waldorf, "An Interview With Charley Shewey," Chips, Vol. 10, #3, p. 12.
   "Marvin McCormick was an early maker (knapper) and seller of arrowheads, and most knappers and collectors know his name."-------2008, Tony Baker, "Marvin McCormick, The First modern Fluter," (from Tony Baker's web site www.ele.net), p. 1.

Folsom points made by Marvin McCormick.
 
MARVIN McCORMICK
THE MAN WHO REINVENTED FOLSOM
1929--1970's

    Marvin McCormick was one of the old time legendary knappers who began producing his points in about 1929. He was active until sometime in the 1970's. He began marketing his unique style of fluted Folsom points to an unsuspecting public at a time when many people thought fluted points couldn't be made by modern knappers. What made him so different from other knappers of that time was his ability to flute. In fact, he is referred to as the first modern fluter. He was able to provide for his family during hard economic times in the dustbowl days by producing and selling large numbers of various types of fluted and non fluted points.

Seven points made by Marvin McCormick.
CLICK ON PICTURE FOR LARGER IMAGE
POINTS MADE BY MARVIN McCORMICK

     All of these points were made by Marvin McCormick and purchased from Marvin by Charley Shewey. Charley kept them in a small frame marked "Marvin McCormick" along with a letter from Marvin. These points show Marvin's unique flintknapping abilities at a time when very few people in the world were capable of doing these types of flake removal techniques. The four smaller points in the top row are examples of his famous Folsom points. The large point in the center has "Cochise" written on the other side which is closer to a Clovis but he might also have called it a Yuma. The two bottom points illustrate Marvin's pressure flaking abilities. The point on the left has very well done parallel oblique pressure flaking and fine edge retouch. All of these points are made of Alibates. The largest point measures 3 3/16 inches (8.1 cm) long.

    Marvin McCormick told Charley Shewey, who was also a knapper and collector, that he made fourteen points a day, five days a week. If that's true, he would have produced well over 150,000 points in forty years. One story claims that a dealer in Austin, Texas once ordered five thousand points at one time from McCormick. Another exaggerated description of the numbers claims he produced "hundreds of thousands," or "boxcar loads." Marvin McCormick's points can be found in private and institutional collections across the country. So there is good evidence that he was a very prolific knapper.

Page 3 of a letter written by Marvin McCormick.
CLICK ON LETTER TO SEE ALL THREE PAGES
PAGE 3 OF A LETTER WRITTEN BY
MARVIN McCORMICK TO CHARLEY SHEWEY

     This is page three of a three page letter that was written to Charley Shewey from Marvin McCormick and it's dated June 13, 1962. It's interesting for Marvin's comment that he is having trouble finding large pieces of Alibates and for the fact that he is using a saw to cut the material. Marvin is also offering Charley Shewey "26 Folsoms and Yumas and 2 bird points" for a price that works out to $3.50 each. Charley Shewey was also a flintknapper and one of the earliest collectors of modern points. Marvin was probably looking for larger pieces of Alabates so he could make larger points that Charley would like to buy.
    On page one, Marvin also writes about the problems he was having heat treating some quartzite. Plus he mentions that he had gone to what would have been the "Stone Age Fair" in Loveland, Colorado where collectors have been displaying since 1940.

     Charley Shewey, who this writer knew very well, was friends with Marvin McCormick before WWII. Charley said Marvin worked as a cowboy in those early years in southeast Colorado around Pritchett. He learned where the sites were and he and his wife collected and sold the points they found for a few pennies each. A good three inch side-notched point would bring ten cents but a Clovis or Agate Basin point would go for fifty cents. Collecting and selling old points is how most of the early knappers began, prior to their career of manufacturing new points.

Three views of a Folsom point made by Marvin McCormick.
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A MARVIN McCORMICK FOLSOM POINT
ALIBATES

    This Marvin McCormick Folsom point has large wide flutes on both sides. Both flutes stop abruptly with a hinge fracture approximately 5/8 of an inch (1.6 cm) from the tip of the point. Marvin fluted his points with either a metal punch or a lever device. One picture shows him striking a metal punch that is laying against an isolated platform, with a discoidal shaped stone. The edges of this point are nicely trimmed with pressure flaking. This point measures 2 1/4 inches (5.8 cm) long.

     Marvin McCormick liked to use Alibates. Most of his points were made of this material. The main source area for Alibates was south of where he lived in the Texas Panhandle. Alibates is referred to as Alibates flint, Alibates chert, Alibates agate and agatized dolomite. In an old letter to Charley Shewey, Marvin comments "If you all get to come back out maybe we can dig some of the larger Alibates."

Three views of a Folsom point made by Marvin McCormick.
CLICK ON PICTURE FOR LARGER IMAGE
A MARVIN McCORMICK FOLSOM POINT
ALIBATES

    This red and white Alibates Folsom point was made by Marvin McCormick, probably sometime in the early 1960's. It has long wide flutes that extend to the end of the point, which is the "classic" form of Folsom fluting. The edges were nicely trimmed with pressure. Marvin used a nail that he fitted into a short half inch dowel for his pressure flaker. This point measures 2 3/8 inches (6 cm) long.

     Marvin McCormick was one of the few early modern knappers who heat treated stone. According to Charley Shewey he may have learned the process from his great uncle. Not all flintknapping materials need to be heat treated. But the fracturing quality of Alibates can be enhanced by heating it to between 400 and 500 degrees Fahrenheit for approximately ten hours. Besides making the stone easier to flake, heat treating can also make it more glossy and more colorful.

Three views of a Folsom point made by Marvin McCormick.
A MARVIN McCORMICK FOLSOM POINT
ALIBATES

    Alabates was Marvin McCormick's favorite material to make Folsom points. This Alibates Folsom is fluted to the tip of the point on both sides. It has a small remnant of the original striking platform still evident in the center of the base. This point measures 2 5/16 inches (5.9 cm) long

     According to Charley Shewey, Marvin McCormick learned to flint knap from his great uncle. His great uncle was supposed to have been a teamster who used ox-drawn freight wagons on the the Santa Fe Trail. If this is all true, the great uncle might have learned a basic technique of how to shape a stone point from local Indians.

Both sides of a Folsom point made by Marvin McCormick.
A MARVIN McCORMICK FOLSOM POINT
ALIBATES

    This "classic" looking small Folsom point was made by Marvin McCormick. Its short and wide shape gives it an appearance that suggests it was once longer and was resharpened down to its current size. This Folsom point is fluted to the tip of the point on both sides and a portion of the flute striking platform is still evident on the base. This point measures 1 5/16 inches (3.3 cm) long.

    Marvin McCormick used very simple tools to make his points. He shaped his preforms with a simple bolt that is referred to as a "plow bolt." Charley said Marvin struck off flakes using the center of the bolt that eventually wore down to an hourglass shape. Charley claimed to have tried to teach Marvin a better way to do percussion flaking but Marvin evidently continued to use the bolt.

A Cochise point made by Marvin McCormick.
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A MARVIN McCORMICK "COCHISE" POINT
ALIBATES

     This point, and all the other points illustrated in this report, were purchased from Marvin McCormick by Charley Shewey. The writing on this point was probably put on by Charley, since it's dated 1960's. The term Cochise, in reference to fluted points, has been used more by collectors over the last fifty years than by anyone else. Wormington's 1957 book, "Ancient Man In North America," describes a Cochise culture but not a Cochise fluted point. The Cochise point was popularized in 1974 with Van Buren's book "Arrowheads And Projectile Points," but unfortunately the illustrated points were most probably not ancient. So the writing on this Marvin McCormick point suggests it to be one of the mythological "Cochise points." It looks just like the examples in Van Buren's book. They all have shallow concave bases, excurvate sides, and long narrow flutes that are one third or less the length of the point. This point measures 3 1/4 inches (8.3 cm) long.

    Marvin McCormick tried different ways to flute his points. He said that percussion (indirect) produced the thinnest and best Folsom points but the failure rate was to high. So he developed a  lever device that could press off the channel flakes with pressure. This process produced Folsom points that were a little thicker but this technique proved to be more successful from an economical point of view. He could make more points with less breakage.

Four views of two points made by Marvin McCormick.
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UNIFORMLY PRESSURE FLAKED POINTS
BY MARVIN McCORMICK
ALIBATES

     This picture shows both sides of two points made by Marvin McCormick. They illustrate Marvin's skill at pressure flaking and the fact that he wasn't only making fluted points. The point on the left is especially nice with parallel oblique flaking. Charley Shewey describes Marvin McCormick's technique at removing pressure flakes by using an upward motion rather than the commonly used downward pressure technique. Both of these points still have their old $1.25 and $1.60 price tags on them. Both of these points are made of Alibates and the longer point measures 2 1/4 inches (5.7 cm) long.

     According to Tony Baker, who met Marvin McCormick sometime in the late 1970's, Marvin told him that he never had a job. Jobs were few-and-far-between during the depression years and so flintknapping was how he made his living. So it would seem that the pressures of hard economic times was apparently the main reason that caused a cowboy from southeastern Colorado to reinvent Folsom. He certainly made more Folsom points than anyone else----maybe more than anyone who ever lived.

"REFERENCES"

1962, McCormick, Letter to Charley Shewey.
1998
, Waldorf, Dave, "An Interview With Charley Shewey," Chips, Vol. 10, #3, p. 12.
2004
, Whittaker, John C., "American Flintknappers," p. 49.
2008, Baker, Tony, "Marvin McCormick, The First modern Fluter," (from Tony Baker's web site www.ele.net), p. 1.

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