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STONE DISC PALETTES
A.D. 1150 to 1400
SOUTHEASTERN U.S.

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COPYRIGHT OCTOBER 31, 2011 PETER A. BOSTROM
Abstract image of stone disc from Campbell site, Missouri.
STONE DISC PALETTE
(ABSTRACT IMAGE)
CAMPBELL SITE
PEMISCOT COUNTY, MISSOURI

Abstract image of stone discs from southeastern U.S.

ABSTRACT
STONE DISC PALETTES
A.D. 1150 TO 1400
SOUTHEASTERN U.S.

     This article describes and illustrates several examples of stone "paint" palettes from Mississippian sites in the southeastern United States. Most stone palettes are circular in outline but a few rare examples have been found that are rectangular. The seven examples described here illustrate a wide range of types, sizes and materials. Some of the more complex palettes were made by skilled craftsmen, wrapped in bundles, buried in elite graves and somehow involved mineral pigments. Some of the more simply engraved and plain examples may represent utilitarian tools. The highest number of stone palettes have been reported from the Moundville site in northern Alabama but they have been reported from as far west as Missouri.

    "We suspect these palettes were used as ritual furniture, portable alters on which medicines and other supernaturally powerful mixtures were prepared."------2004, Kevin E. Smith & James V. Miller, "Vincas P. Steponaitis & Vernon J. Knight, "Moundville Art In Historical And Social Context," Hero Hawk, And Open Hand, p. 174.
    "The vast majority of the palettes at Moundville are made of fine, gray, micaceous sandstone that occurs in great abundance at outcrops only 30 km (18.8 miles) north of the site."
---------2004, Kevin E. Smith & James V. Miller, "Vincas P. Steponaitis & Vernon J. Knight, "Moundville Art In Historical And Social Context," Hero Hawk, And Open Hand, p. 174.
    "These circular stone discs, made of many materials, such as sandstone, slates, fine grained gneiss, etc., vary in size from 12.5 inches to 4.5 inches in diameter."
--------1957, Emma Lila Fundaburk & Mary Douglass Foreman, "Sun Circles And Human Hands," Stone Palettes, (no page numbers).
    "Palettes of ground sandstone were made in two basic forms: round and rectangular."
----1996, Jeffrey P. Brain and Philip Phillips, "Shell Gorgets," p. 380.
     "The designs engraved on paint palettes are characteristic symbols of the Southern Ceremonial Complex."----1957, Emma Lila Fundaburk & Mary Douglass Foreman, "Sun Circles And Human Hands," Stone Palettes, (no page numbers).
    
"The aborigines were skilled in preparing the mineral colors, which were usually ground in small mortars or rubbed down on a flat stone---."----1912, Frederick Webb Hodge, "Handbook American Indians North Of Mexico," p. 185.
   "That the palettes were used to prepare colorful minerals for some purpose is beyond dispute."----2011, Vincas P. Steponaitis, Samuel F. Swanson, George Wheeler & Penelope B. Drooker, "The Provenance And Use Of Etowah Palettes," American Antiquity, Vol. 76, No. 1, pp. 81-106.

Abstract image of stone discs.
 
STONE DISC PALETTES
A.D. 1150 TO 1400
SOUTHEASTERN U.S.

     Stone disc palettes are most interesting for their unique shape, craftsmanship and level of importance they held within the Mississippian culture. The majority of them were discovered on the Moundville site in Alabama with the Etowah site in Georgia coming in second. But sporadic discoveries have been reported on several Mississippian sites in the southeastern U.S. as far west as Missouri. They date to sometime between A.D. 1150 and 1400. Mississippian stone disc palettes have been described in print for well over a hundred years.


CLICK ON PICTURE FOR LARGER IMAGE
STONE DISC PALETTES
ALABAMA, ILLINOIS, MISSOURI, TENNESSEE

    These six stone disc palettes are reported to have been found on sites in Alabama, Illinois, Missouri and Tennessee. They are all Mississippian culture artifacts.
    The disc at top left was found in 1975 during excavation of the Campbell site in Pemiscot County, Missouri. This palette was discovered in association with a burial along with a large catlinite disc pipe that measures as long as the palette is wide. It was also found with several disintegrated copper plates and a large quantity of red ochre. The pipe was found laying directly on top of the palette with the disc side down. The Campbell site disc has three engraved circles near the edge on one side and two on the other. The edge has fifteen evenly spaced notches around the perimeter and X's are engraved on the edge between each notch. The Campbell site disc is made of a highly fossiliferous stone that might be limestone and it measures 7 1/2 inches (19 cm) in diameter.
    The disc at top center is one of the five most intricately engraved stone discs ever found and the most famous stone disc ever found on the Moundville site. It's known as the "rattlesnake disc." It was discovered sometime before 1883 by a farmer plowing his field. The entwined serpents, open hand and central ogee symbol represents iconography that some archaeologist believe may represent an opening or pathway to the inter-dimensional world of the ancestors. This stone disc palette is made of sandstone and measures 12 9/16 inches (31.9 cm) in diameter.
    The disc at top right was on display in the McClung Museum in Tennessee when it was photographed. This type is often referred to as a notched palette. This one has fourteen very well done rounded notches that are evenly spaced around the edge along with the commonly seen double engraved circles near the edges.
    The disc at lower left was discovered on a site in south western Tennessee in Shelby, County on a site called either Jeter or Benjestown. This palette is reported to have been discovered with a burial that also contained ceramics and a highly polished rectanguloid piece of cannel coal that was placed beneath the skull. This palette is made of fine grained sandstone and it exhibits heavy grinding use wear. Both sides are reported to be worn down from rotary grinding. The center thickness is 4 mm thick and the rim measures 7 to 8 mm thick. The diameter of this palette is 4 3/8 inches (11.1 cm). It's also reported that there are traces of a reddish substance in the center of one side.
    Very little is known about the disc at lower center. The only information is that it was once in a small southern Indiana private collection and it appears to have once had a tag on one side. It does seem to be an ancient artifact. It's surface indicates that it was pecked, ground and polished into shape. One side is fairly evenly flat. The other side has a slight concave depth of 1/16 inch (2 mm). There is a crack in the stone that extends towards the center for about 3 inches (7.6 cm). The stone appears to be the
gray fine-grained micaceous sandstone that is reported from the Moundville area. There is also a red colored residue on both sides that may be red ochre.
    The disc at lower right
was excavated by Bill Fecht somewhere on the Cahokia Mounds site in 1960. He notes that he discovered it with a burial but gave no more specific information than that. This palette may be unique as being one of the only complete examples found at Cahokia. This palette is generally round in shape but it's not symmetrical. The longer side measures 9 3/8 inches (23.8 cm) long and the narrower side 8 5/8 inches (21.9 cm) wide. Both sides have concave surfaces. What appears to have been the bottom side is very smooth across the entire surface. The red stained side exhibits uneven wear that indicates it was used for the heaviest grinding processes. The cavity depth of the underside measures 5/32 inch (4 mm) deep and the cavity depth of the top side measures 3/8 inch (1 cm) deep. The edge thickness varies from 15/16 inch (2.5 cm) thick to about 5/8 inch (1.6 cm) thick. The two cuts on the edge of the upper side of this palette were done in recent times by Bill Fecht's excavating tools in 1960.

     Early archaeological investigators like Charles C. Jones and William Holmes were the first to write about these unique artifacts. Jones seems to have been the first to describe them in 1873. He describes a "stone plate" that was "plowed up" in 1859 on the Etowah as; "----this stone plate, circular in form, eleven inches and a half in diameter, an inch and a quarter in thickness, and weighing nearly seven pounds. It is made of a close-grained, sea-green slate, and bears upon its surface the stains of centuries. Between the rim, which is scalloped, and the central portion, are two circular depressed rings, running parallel with the circumference and incised to the depth of the tenth of an inch. The central portion, or basin, is hollowed out to the depth of rather more than the eighth of an inch. This circular basin, nearly eight inches in diameter, is surrounded by a margin or rim, a little less than two inches in width, transversed by the incised rings and beveled from the center toward the edge. The lower surface or bottom of the plate is flat, beveled upward, however, as it approaches the scalloped edges, which is not more that a quarter of an inch in thickness."

Stone palette from the Moundville site in Alabama.
PHOTO TAKEN BY DENNIS VESPER AT MOUNDVILLE, ALABAMA IN THE 1970'S
CLICK ON PICTURE FOR LARGER IMAGE
STONE DISC PALETTE
"THE RATTLESNAKE DISC"
MOUNDVILLE SITE
HALE COUNTY, ALABAMA

     This palette is known as the "rattlesnake disc." It's the most famous stone disc palette that was ever found at Moundville. It was originally discovered by a farmer plowing his field in Moundville and later given as a gift to Alabama state archaeologist Professor E. A. Smith sometime before 1883. It was then lent to the Smithsonian National Museum where Holmes described it in 1883. After that, sometime before 1905 it was transferred to the University of Alabama Museum and now in the Jones Archaeological Museum at the Moundville Archaeological Park. Holmes originally described the disc with a cautious and skeptical view.
    Holmes described the "rattlesnake disc" in 1883 as; "I have seen in the National Museum a curious specimen of stone disk, although there is not sufficient assurance of its genuineness to allow it undisputed claim to a place among antiquities. It is a perfectly circular, neatly-dressed sandstone disk, twelve inches in diameter and one-half an inch in thickness. Upon one face we see three marginal incised lines while on the other there is a well-engraved design which represents two entwined or rather knotted rattlesnakes. Within the circular space enclosed by the bodies of the serpents is a well drawn hand in the palm of which is placed an open eye; this would probably have been omitted by the artist had he fully appreciated the skeptical tendencies of the modern archaeologist. The margin of the plate is divided into seventeen sections by small semicircular indentations. This object is said to have been obtained from a mound near Carthage, Alabama." Clarence B. Moore wrote in 1905 that Holmes was by then satisfied that the disc "may be accepted without suspicion."
    The entwined serpents, open hand and central ogee symbol represents iconography that some archaeologist believe may represent an opening or pathway to the inter-dimensional world of the ancestors. This stone disc palette is made of sandstone and measures 12 9/16 inches (31.9 cm) in diameter.

      Stone disc palettes have been referred to by many different names for almost 140 years. They have been described as discs, stone discs, ceremonial discs, calendar discs, stone plates, sun discs, notched stone discs, palettes, circular palettes, paint palettes, stone palettes, slab palettes, plaques, and mortar plates. There is still no specific name given to these artifacts. But in recent years either the term disc or palette is most often used. The same issue has been raised by archaeologists describing Hohokam palettes in the southwestern U.S. The term "tablet" has been offered because the word palette suggests painting or pigment processing. It is not yet clear if processing pigments was the sole intended purpose of Hohokam tablets, even though mineral pigments have been found on some of them. There is some reason to believe the Hohokam tablets may have been used for different purposes, just as some archaeologists have suggested that Mississippian palettes may have been used for different purposes.

Stone palette & pipe found together on Campbell site, MO.
CLICK ON PICTURE FOR LARGER IMAGE
STONE DISC PALETTE
CAMPBELL SITE
PEMISCOT COUNTY, MISSOURI

    This is an especially fine example of a stone disc palette. It was excavated in 1975 on a large Mississippian site in Pemiscot County, Missouri called the Campbell site. This palette is most interesting because it was buried with a late period catlinite disc pipe. The pipe dates to about the sixteenth or seventeenth century but it's believed that the palette dates to sometime between AD 1200 to 1400. It would appear that the palette was an antique or heirloom object at the time of it's burial with the pipe. This palette was discovered in association with a burial along with a large catlinite disc pipe that measures as long as the palette is wide. It was also found with several disintegrated copper plates and a large quantity of red ochre. The pipe was found laying directly on top of the palette with the disc side down. The Campbell site disc has three engraved circles near the edge on one side and two on the other. The edge has fifteen evenly spaced notches around the perimeter and X's are engraved on the edge between each notch. The Campbell site disc is made of a highly fossiliferous stone that appears to be limestone and it measures 8 inches (15.2 cm) in diameter.

      The majority of all stone disc palettes are reported from the area on and around the Moundville site located in northern Alabama. Estimates of the numbers found there range up to 80. They quickly drop in numbers on sites farther to the west. The next largest Mississippian site to the east is Etowah in Georgia where approximately 10 complete stone discs have been reported. Several of these were excavated by Lewis Larson from Mound C.


PHOTO OF PALETTE IN THE McCLUNG MUSEUM
TAKEN FROM A SLIDE THAT WAS PHOTOGRAPHED BY DENNIS VESPER IN 1985

STONE DISC PALETTE
TENNESSEE?

    This is an excellent example of a scalloped edge stone disc palette. It was photographed a few years ago in the McClung Museum in Knoxville, Tennessee. Its scalloped edges and engraved concentric rings is an artistic style that mimics some shell gorgets.

     Stone disc palettes range in style from simple round flat stones to round flat stones that were very skillfully shaped, engraved and polished. The one similar trait that most of them seem to have is they were manufactured into the shape of a thin round disc. But this is not true for all of them. A very few examples have been found that are rectangular in shape. It's interesting to note that of the thousands of palettes that must have been made by the Hohokam culture in the southwest, most of them were rectangular in shape and only a very few round examples have been found. The opposite is true of the Mississippian culture in the southeastern U.S. where, although not very many were made, most of their palettes were round in shape. The size range for stone disc palettes seems to be between 2 1/2 inches (6.4 cm) to 13 inches (33 cm) in diameter.


PHOTO OF PALETTE WAS TAKEN BY FRANK ROBISON
CLICK ON PICTURE FOR LARGER IMAGE
STONE DISC PALETTE
JETER OR BENJESTOWN SITE
SHELBY COUNTY, TENNESSEE

    This small "notched" stone disc palette was found on a Mississippian site in western Tennessee and described in a report written by Fletcher Jolly in 1972. The Mississippian component on this site is identified as belonging to the Walls phase. This palette is reported to have been discovered with a burial that also contained ceramics and a highly polished rectanguloid piece of cannel coal that was placed beneath the skull. This palette is made of fine grained sandstone and it exhibits heavy grinding use wear. Both sides are reported to be worn down from rotary grinding. The center thickness is 4 mm thick and the rim measures 7 to 8 mm thick. The diameter of this palette is 4 3/8 inches (11.1 cm). It's also reported that there are traces of a reddish substance in the center of one side.

      There appears to be two basic groups of stone discs, those that have heavy grinding use-wear and those that show little wear. Many of the more simple sandstone discs have obvious use-wear depressions on one or both sides indicating a grinding process. But the more elaborate and highly engraved examples seem to have less wear. In fact some of these surfaces are sometimes polished. It would appear that some palettes were much more heavily used to process mineral pigments than others. The more elaborate examples may have been protected from to much wear by using already processed pigments. Some palettes may have been painted or maybe they were being used like one of today's modern artists palettes to hold and mix the already processed paint.

Micaceous sandstone palette, maybe from southern Indian.
CLICK ON PICTURE FOR LARGER IMAGE
STONE DISC PALETTE
SOUTHERN INDIANA?

    Very little is known about this stone disc palette. The only information is that it was once in a small southern Indiana private collection and it appears to have once had a tag on one side. It does seem to be an ancient artifact. It's surface indicates that it was pecked, ground and polished into shape. One side is fairly evenly flat. The other side has a slight concave depth of 1/16 inch (2 mm). There is a crack in the stone that extends towards the center for about 3 inches (7.6 cm). The stone appears to be the gray fine-grained micaceous sandstone that is reported from the Moundville area. There is also a red colored residue on both sides that may be red ochre.
    It's possible that this palette may have been made by a Moundville craftsman since it's made of what may be stone from that area in northern Alabama. This palette doesn't have any carved or notched edges or engraved lines but there are plain stone discs reported from the Moundville area.

     There has been much speculation as to the purpose of stone disc palettes. Over the years, writers have suggested they may have been used as plaques to commemorate intertribal treaties, a tool that was used to ritually prepare such things as tobacco or some type of hallucinogenic drug or even as plates to offer food to the sun god. But the most logical and partially provable theory has been that they were used as paint palettes. Since most of them have been found with traces of mineral pigment still adhering to one side this idea may be closest to the truth.

Sandstone palette from the Cahokia Mounds site in Illinois.
CLICK ON PICTURE FOR LARGER IMAGE
STONE DISC PALETTE
CAHOKIA MOUNDS SITE
MADISON / ST. CLAIR COUNTIES, ILLINOIS

   This large stone disc palette was excavated by Bill Fecht somewhere on the Cahokia Mounds site in 1960. He notes that he discovered it with a burial but gave no more specific information than that. This palette may be unique as being one of the only complete examples found at Cahokia. Unlike the discoveries of large stone disc palettes on Mississippian sites farther to the south  and east they are almost unknown as far north as The Cahokia Mounds site.
    This stone disc is made of fine grain sandstone. There seems to be no doubt that it was used as a palette to grind and process mineral pigments. The upper surface indicates heavy use wear from grinding and it is deeply stained from a mineral pigment. It was apparently being used to process red ochre from hematite iron oxide.
    This palette is generally round in shape but it's not symmetrical. The longer side measures 9 3/8 inches (23.8 cm) long and the narrower side 8 5/8 inches (21.9 cm) wide. Both sides have concave surfaces. What appears to have been the bottom side is very smooth across the entire surface. The red stained side exhibits uneven wear that indicates it was used for the heaviest grinding processes. The cavity depth of the underside measures 5/32 inch (4 mm) deep and the cavity depth of the top side measures 3/8 inch (1 cm) deep. The edge thickness varies from 15/16 inch (2.5 cm) thick to about 5/8 inch (1.6 cm) thick. The two cuts on the edge of the upper side of this palette were done in recent times by Bill Fecht's excavating tools in 1960.

      Research has shown that Mississippian stone disc palettes contain residue from several different types of mineral pigments. A recently published report (2011) investigating Etowah site palettes identified at least six different substances. The identified mineral pigments are kaolinite (a clay mineral, color white), calcite (possibly burned & processed mussel shells, color white), hematite (one of several different types of iron oxides, color red), graphite (a type of coal, color black), and galena (when weathered it turns into cerrusite which is white but galena (lead) is gray when freshly ground). The other residue that was found on Etowah palettes was resin. This material is reported to be a yellowish-brown color that sometimes covers large areas on some of the palettes. Under magnification the material appears to have a "bubbly" shape which indicates it was once a viscous material.


SMALL STONE DISC PALETTE
SCHAEFER SITE
MONROE COUNTY, SOUTHERN ILLINOIS

    This small stone disc palette was found in a cultivated field on a large Mississippian site in southern Illinois near the Mississippi River by Liz Kassly. It's a nice example of a very small disc palette. This example appears to have been deliberately shaped into a thin round grinding stone by pecking and grinding. This palette exhibits heavy use wear in the form of grinding in the center of one side to a depth of 1/8 inch (3 mm). The other side has a shallower concavity that was also apparently caused from grinding. This palette measures 2 7/8 inches (7.3 cm) in diameter and it has a maximum edge thickness of 9/16 inch (1.4 cm). Both sides have traces of a red color residue that may indicate this tool was used to process red ochre pigment. The small pebble-pestle pictured below was found near by this palette and may have once belonged together in a "kit."

     The majority of all stone disc palettes found at Moundville were made of gray fine-grained micaceous sandstone. It's been determined that the micaceous sandstone from which they were made was quarried  from the Upper Pottsville Formation near the Fall Line at Tuscaloosa only 30 km north of Moundville. Other materials that were used to make stone disc palettes include limestone, gneiss, phyllite, sandstone, shale and slate.

Small stone pestle used to grind hematite.
SMALL STONE PESTLE
USED TO GRIND HEMATITE
SCHAEFER SITE
MONROE COUNTY, SOUTHERN ILLINOIS

     This simple stone pebble was found by Liz Kassly nearby the stone disc palette pictured above. It's possible that they were both once used together. The deep red material is most probably red ochre pigment that was processed from pieces of hematite iron ore.

    Stone disc palettes are often found in association with graves. The more elaborate examples have been found with burials of important individuals who were placed in mounds, such as Mound C at Etowah. Recent examination by Steponaitis, Swanson, Wheeler & Drooker of ten palettes from Etowah indicate that several of them were buried in bundles. They were found in inverted (upside-down) positions on top of and in direct contact with unprocessed pigments in the form of galena and graphite pebbles and hematite and calcite (possibly shell). Preserved fabric remnants on some of the palettes indicate they were wrapped as "kits" and buried as bundles.

Three examples of minerals used to make pigments.
MINERAL PIGMENTS
SOUTHERN ILLINOIS SITES

     These three stones were surface collected on cultivated fields in southern Illinois. They represent three different minerals that were used to make paint pigments. The example on the left is a piece of hematite which is a material that was used to produce red ochre pigment. Grinding striation lines on this sample indicates that it may have been used in a pigment manufacturing process. Red ochre is the most common mineral pigment that has been observed on the surface of Mississippian disc palettes. The middle stone is a piece of cannel coal that could be used to produce a black pigment if it's ground into a powder. The mineral on the right is galena lead sulphide. Some Mississippian period palettes have a white surface residue that has been identified as cerrusite. Cerrusite is lead carbonate which is formed from the weathering process of galena. Lead is believed to be the second most commonly identified surface residue on Mississippian palettes.

    It's interesting to note that Brain and Phillips points out that "only five (figural designed) engraved palettes are known." These are the examples that have "classic" Mississippian iconography engraved on them in the form of serpents, spider, open hand, ogee symbol (eye), bilobed arrow, skull and conch shell symbol. They were found over a wide area. One is reported from Moundville (Alabama), one from Etowah (Georgia), one from Arkansas and two from Mississippi. The imagery that was engraved on these five palettes represents a blend of inter-regional Mississippian iconography that appears on sites from Etowah, Georgia in the east to Spiro, Oklahoma in the west.

Line drawing comparison of a disc palette and a gorget.
LINE DRAWING ILLUSTRATIONS FROM 1883 "Art In Shell Of The Ancient Americans," SECOND
Annual Report Of The Bureau Of Ethnology Of The Secretary Of The Smithsonian Institution

LINE DRAWINGS OF A DISC PALETTE
AND A SHELL GORGET
TENNESSEE

     These two line drawings illustrate the similarity of design that is seen between some stone disc palettes and shell gorgets. Both of these have a scalloped edge and three engraved concentric circles. All of the various types of sculpted and engraved design patterns that are seen on Mississippian palettes have been observed on shell gorgets and dippers. Some of the imagery was also applied to some ceramic pots and ground stone discoidals.

      No one may ever know exactly how the most elaborately crafted stone disc palettes were used. But we do know what they are made of and that they were important enough to be placed into mounds with "elite" individuals and that their surfaces came into contact with several different colors of mineral pigments. Some of them even contain imagery that suggests mythological ideas that may involve the sole and interdimensional portals. But even though stone disc palettes still remain somewhat mysterious we know that as the years go by more and more information about these intriguing objects will continue be added to the archaeological record.

"REFERENCES"

1873, Jones, Charles C., "Antiquities Of The Southern Indians, Particularly Of The Georgia Tribes," pp. 373-376.
1883
, Holmes, William H., "Art In Shell Of The Ancient Americans," Second Annual Report Of The Bureau Of Ethnology Of The Secretary Of The Smithsonian Institution, 1880-81, pp. 277-279.
1905
, Moore, Clarence. B., "Certain Aboriginal Remains Of The Black Warrior River," Journal Of The Academy Of Natural Sciences Of Philadelphia, pp. 125-244.
1912
, Frederick Webb Hodge, "Handbook American Indians North Of Mexico," p. 185.
1957, Fundaburk, Emma Lila & Foreman, Mary Douglass "Sun Circles And Human Hands," Stone Palettes, (no page numbers).
1965, Gladwin, Harold S., Haury, Emil W., Sayles, E. B., Gladwin, Nora, "Excavatons At Snaketown, Material Culture," pp. 121-126.
1972, Jolly, Fletcher III & Brendel, Shirley, "Two Notched Stone Disks From The Mississippi Valley Of West Tennessee," Tennessee Archaeologist, Vol. XXVIII, No. 1, pp. 1-10.
1996, Brain, Jeffrey P. & Phillips, Philip, "Shell Gorgets," p. 380.
2002, Whitney, Cynthia, Steponaitis, Vincas P., Rogers, John J, W., "A Petrographic Study Of Moundville Palettes," Southeastern Archaeology, Vol. 21, no. 2, pp. 227-234.
2004, Smith, Kevin E. & Miller, James V., Steponaitis, Vincas P. & Knight, Vernon J. "Moundville Art In Historical And Social Context," Hero Hawk, And Open Hand, p. 174.
2010, White, Devin Alan, "Hohokam Palettes From The Gila Bend Region," Journal Of The Southwest, July 1, 2010.
2011, Steponaitis, Vincas P., Swanson, Samuel F., Wheeler, George & Drooker, Penelope B., "The Provenance And Use Of Etowah Palettes," American Antiquity, Vol. 76, No. 1, pp. 81-106.
2011, Davidson, Scott, "The Campbell Site Disc: A Moundville Treasure In Southeastern Missouri," Prehistoric American, Vol. XLV, No. 3, pp.33-35.
Personal Communication with Dennis Vesper

Personal Communication with Jim Marlen
Personal Communication with Frank Robison

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